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Debbie Ridpath Ohi reads, writes and illustrates for young people.

**PLEASE PARDON THE CONSTRUCTION DUST. My website is in the process of being completely revamped, and my brand new site will be unveiled later in 2021! Stay tuned! ** 

Every once in a while, Debbie shares new art, writing and resources; subscribe below. Browse the archives here.

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Welcome to Debbie's Blatherings, a personal blog where I've been posting since 1997. You can find my archives here: 1997 - 1998 - 1999 - 2000 - 2001 - 2002 - 2003 - 2004 - 2005 - 2006 -2007 - 2008 - 2009 - 2010+ (current archives)

If you're a kidlit/YA writer or illustrator, see Inkygirl. To find out more about me, my books and comics, various collab blogs, online portfolio and press, other miscellanea, browse the navigation links beneath the header banner. And thanks for visiting! -- Debbie Ridpath Ohi

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Entries by Debbie Ohi (184)

Tuesday
Apr122011

April 21st: Toronto To Japan Fundraising Event

Joy Kogawa has asked those involved in the Toronto To Japan project to pass this info along:

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Dear Friends,
 
Margaret Atwood, Adrienne Clarkson, Michael Ondaatje, Bob Wiseman, Auto Rickshaw, Basia Bulat and many others are participating in a sparkling fundraising variety show at TIFF Bell Lightbox, 350 King St. West, on April 21, 7:00 p.m.
 
Toronto To Japan, www.torontotojapan.ca, has been the most heart-expanding spontaneous combustion of my life and I hope you can come.
 
Tickets cost $40.00 and will be on sale starting Wednesday, April 13, by phone at TIFF box office - 416-599-TIFF (8433)1-888-599-TIFF (8433) or in person at the Festival Box Office 363 King Street West,10am-10pm.
 
$20.00 tickets for balcony seats are being sold through our website starting the same day. I will be holding a few in both categories.
 
If you have a silent auction item to offer, please fill in the form attached and mail to Jaime Hackett  - Jaime@swb.ca. The cut off date is April 15.
 
Here are a few questions and answers:
 
Where is the money going?

When you purchase a ticket to the Toronto To Japan: Hope Blossoms event or purchase silent auction items, the proceeds will be donated to the Japanese Red Cross, Médecins Sans Frontières/Doctors Without Borders, and Second Harvest Japan.  

What happens when I donate to Toronto To Japan?

You are already donating when you purchase a ticket to the event.  Should you wish to make additional donations to TTJ there is a Pay pal option on the TTJ website.  Cash, cheques and credit card payments will also be gratefully accepted at the event.

 What about tax receipts?

For donations of $20 or more, payable to TTJ, there will be a form to complete with basic contact information to ensure that TTJ gets your donation to the right organization. TTJ can also pass on additional donations by cheque payable directly to the JCCC Foundation: Japan Earthquake Relief (for Japanese Red Cross) or Médecins Sans Frontières/Doctors Without Borders, who will then issue you a tax receipt for your donation. *NB: Médecins Sans Frontières/Doctors Without Borders (MSF) asks that supporters make unrestricted contributions to their Emergency Relief Fund. Second Harvest Japan is in need of our support but cannot issue Canadian tax receipts for donations directed to Second Harvest Japan.

- Joy, for Toronto To Japan: with love.

 

For more info about the event, please see:

http://torontotojapan.ca/event/

Friday
Apr082011

Getting My Eyes Laser-Zapped (a.k.a. My Iridotomy Experience)

BorgIridotomy 004

As some of you already know, I had a detached retina years back in 2004, so am not new to laser surgery. This time, the laser surgery was an iridotomy, which is a preventative surgery for narrow angle (also known as "angle-closure") glaucoma.

To be clear: I didn't have glaucoma, but was at high risk for it. Since glaucoma is the kind of optic nastiness whose symptoms don't tend to show up until it's too late to fix, my eye doctor and the specialist at Sunnybrook Hospital recommended that I opt (HA! AN OPTHAMOLOGY PUN!) for preventative surgery.

I immediately went online and starting researching, of course. I came across lots of helpful info but also a lot of questionable info... and the horror stories, of course. One of the reasons I'm writing this post is to offer a personal perspective on the whole procedure as well as some of the online info I found useful. Please note, however, that this post is definitely not meant to replace informed medical advice.

As registered nurse Tamara points out in her Flying Kitten blog, you should do your own research before deciding whether an iridotomy is right for you.

Iridotomy equipment

(Above: photo I snapped with my iPhone while waiting for my pressure to be checked post-surgery.)

What exactly IS narrow angle glaucoma?

Out of all the explanations online, I found this explanation of narrow angle glaucoma the most helpful. My layman's summary: Narrow angle glaucoma has to do with sudden increases in eye pressure because of a blockage or partial blockage of the tiny drainage system in your eye that usually helps maintains a constant level of pressure. More common in Asians than other races, apparently. My father had the same procedure for glaucoma, so it runs in the family.

 

What is preventative laser iridotomy?

Basically, the doctor uses a laser to create a small hole in the rim of your iris to let the aqueous fluid drain from your eye, which helps restore the pressure balance between fluid entering and leaving your eye.

 

My own experience

I had two surgical appointments, one for each eye, and a week apart. My second was yesterday. Each had a follow-up appointment the next day. Here's what happened at the surgical appointment:

Shortly after arriving at Sunnybrook Hospital and checking in with the receptionist, someone comes out  to where I'm sitting in the waiting room and gives me an eye drop in the eye that's to be lasered, and a tissue in case I need it.

I'm led to a smaller waiting room where about half a dozen others are already waiting, each with a tissue.

Some of us make brief nervous chit chat (chatted with a woman about my new iPad yesterday) until the headaches hit. We were warned about the headaches in our list of instructions; apparently it's a common side effect of the muscle-constricting eye drops, and we're allowed to take Tylenol. I bring regular strength Tylenol for the first eye but smarten up and bring extra strength the next time. The Tylenol helps a little but the headache is still pretty strong, though nothing compared to a migraine.

We're called in one at a time, with each person coming out after a short time (5 minutes? 10?).

When it's my turn, I go in and sit in the examination chair. What surprised me the first time: that the whole set-up seemed very much like a typical eye exam. Lean forward, put your chin on the chin rest, forehead on the forehead rest.

The first time, the doctor's assistant held my head -- I assume this was to keep me from jerking away. The second time, no one holds my head and the doctor's assistant did the procedure, not the doctor herself, so I figure that the assistant is a resident (is that the right term?). The doctor watched the entire time, checking partway through the zaps to make sure everything was going well.

In both cases, the was also a third person in the room who was just observing...a student? Intern?...while the doctor was explaining things to them during the procedure. I didn't mind, and found the running explanation interesting. I used to watch Gray's Anatomy, and it reminded me a lot of that learning environment. Of course, I tried very hard not think about the episodes where things went horribly wrong. :-)

But back to the procedure...

After I'm seated, I get another eye drop, and then they put in some kind of lens with a clear gel beneath. This is one of the bits I was really nervous about, mainly because I don't like having my eyes touched - I tried contact lenses for two years but then gave up on them because I could never get used to touching the surface of my eyes (ick). BUT the whole lens thing went very smoothly, probably because of the numbing eye drop, and it was nothing like That Scene in Clockwork Orange (you know the one).

The lens itself is removed, leaving a thick clear gel behind. My vision in that eye is fuzzy at that point but it doesn't matter, because things happen very quickly after that. I'm told to keep my other eye focused on a small green light that's at the end of a flexible wire attached to the machine.

Another of my big fears was that I'd accidentally move my eyes during the laser treatment. The instructions we're given are clear: KEEP YOUR EYES AS STILL AS POSSIBLE DURING THE PROCEDURE. Eek, as soon as I read that I couldn't help but think, "But what if I DO move my eyes?"

Iit wasn't nearly as difficult as I thought, thankfully. Probably because the procedure is so short (first one was about 15 seconds with a few zaps, second was about 30 seconds with about 10 zaps), and it's also easy to focus on a particular spot.

I was also worried about blinking, but found that the gel (or maybe it was the drops) made it easier not to blink, plus the doctor seemed to be able to time the zaps between my blinks.

The zaps themselves were very short. I was warned that I'd feel a "pinching sensation," and that term is pretty accurate. Though not pleasant, they weren't painful. I'd compare the sensation to the first split second of realizing you have a speck of grit caught under your eyelid. May be different for other people, though.

 

After the procedure

After it's over, the zapped eye feels very odd but not painful. The first time, it was as if a thin black gauze was held over my eye for at least 10 hours -- not surprising, considering that the eye drops had made my eye muscles constrict so less light was getting through.

I was given a prescription for eye drops - a steroid to help with inflammation - and was told to take them four times a day in the affected eye, for five days.

I had been warned that one of the possible side effects would be glare. I've always been pretty sensitive to glare (in terms of a halo of light around light sources) all my life, and I can't tell if this is worse or not.

One side effect that I hadn't been warned about: a thin horizontal hazy-white line across my lower vision that moves up and down as I open and close my eyelids. For the right eye, the line is very faint and I can only see it in sunlight. For the left eye (the one that was done yesterday), I see it almost all the time, especially when looking at any light source...including my computer screen. It's a bit fainter today than it was yesterday, though, so hopefully it'll fade with time.

Even if it doesn't, however, I'm still glad I had the procedure done, and I'm grateful that technology exists to make it possible. It's possible that I may never have gotten glaucoma ... but if I had,  I would have deeply regretted NOT having had the iridotomy when it was possible.

As for the thin white line: it's distracting if I focus on it, but it doesn't interfere with my illustrating (yay!) and I forget about it if I'm concentrating on something else. SO ... I'm going to opt for the "stop fretting about it, move on with your life" strategy, and be grateful for what I have.

 

Some useful related posts:

Lasers Burned A  Hole In My Eye - Iridotomy (personal account: excellent, with lots of useful info)

Treatment for Glaucoma with Laswer Iridotomy (Video) - South Bay Opthamology

Laser Iridotomy (Encyclopedia Of Surgery)

 

 

Thursday
Apr072011

Torkidlit Loves Japan (video)

Here's a video I took on my point-and-shoot last night at the monthly get-together of the Toronto Area Middle Grade and Young Adult Author Group, for TorontoToJapan.ca.

For more info about Torkidlit members, please do visit the Torkidlit Facebook page!

Monday
Apr042011

What I Remember and What I Know

My Filk Hall Of Fame plaque

Allison will be posting about Urban Tapestry's experience at FilKONtario in her Livejournal and I'll be posting some highlights as well, but I did want to write about our Filk Hall Of Fame experience this past weekend from a personal perspective.

As some of you will already know by now, Urban Tapestry was inducted into the Filk Hall Of Fame a few days ago. Allison, Jodi and I are deeply honoured.  The award is given to those whose contributions are seen to enrich filk music or the filk community. In order to be eligible for the award, a person, group or organization needs to be nominated. Nominations (new and old) are reviewed annually by a jury of judges representing filk conventions around the world. You can find out more about the details and process of Filk Of Fame induction on the Filkontario website.

Being inducted into the FHOF means a great deal to me. While Allison, Jodi and I spoke about some of the reasons we were honoured as a group this past weekend (though, um, coherency of my contribution was impeded by my embarrassing emotional meltdown at the podium), here are some of my personal reasons:

As Sally Childs-Helton said so well in her speech in 2003, this award is especially meaningful because it comes from the community. My own perception of the filk community has changed a great deal since I first discovered it over 20 years ago, through my friend Tom West.

In the beginning, I was just delighted to find people who liked making music with each other, and who were tolerant of those who may possess less-than-professional musical skills.

Years later, I'm convinced that I've become a better person because of this community.

What I Remember

I used to be so scared about performing in public that I would take my flute to a music circle, hide in the back, and not ever open the case because I was too intimidated. I remember Clif Flynt and Mary Ellen Wessels encouraging me, then dragging me into the limelight. I remember the kind words from filkers about my playing, even when I screwed up.

I remember being astonished when Mike Stein invited me to perform with him at one of the early OVFF conventions in Columbus, OH, and the thrill when I saw a recording of our performance appear on the OVFF cassette tape that year.

I remember the joy of discovering how well Jodi, Allison and I worked together as songwriters and musicians, and the greater joy in our growing mutual friendship. How even if we had no upcoming gigs, we'd still want to get together just to catch up.

I remember how encouraging our local filk community was when Urban Tapestry first began performing as a group.

And then...

I remember the caring and support that flowed from the filk community when I lost my brother and his wife. I've seen this happen many times since, for others -- we may have our occasional bickering and politics but when it counts, the community always comes together. We're like one big dysfunctional family: some drama but lots of fierce love.

What I Know

The filk community has made me much more appreciative of different lifestyles, cultures and personalities. To be wary of judging too quickly. To look past the rough bits on the surface to find the gold beneath.

Being a filker helps remind me, over and over, of the sheer joy of music -- in listening, in performing, in collaborating. To make music for the pure fun of it.

Being a part of the filk community has given me much more confidence in myself, and the benefits have spilled over into every part of my life: professional and personal.

Being around for so long has also given me perspective on how much filk has changed, and how it hasn't. One thing that never changes: the delight in watching a nervous newbie grow in confidence and skill, nurtured and encouraged by other filkers.

I am SO proud to be part of this amazing community.

I may not be able to attend as many filk conventions as I used to but for me, the filk community will always feel like coming home.

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If you're unfamiliar with filk and want to know more, feel free to read my What Is Filk post over on the Urban Tapestry Filk FAQ.

To find out more about the Filk Hall of Fame, please visit their website.

Wednesday
Mar302011

Launching this wknd at FilKONtario: Urban Tapestry's Mockumentary DVD Project!

Cover front

Woohoo! We're picking up the DVDs from the printers later today. We did a print run of 100, with 25 already spoken for (contributor copies plus our own). This leaves 75 copies available for sale at FiLKONtario this weekend. Cost: Cdn $20.

Read this post for a list of people involved in this DVD project, lots of screenshots and photos.

Includes three bonus videos of full Urban Tapestry performances in concert, including a song we've never before recorded.

Allison, Jodi and I are pretty darned excited about the DVD and we hope you are too.