songwriting poll


I did the above illustration using Corel Painter using several kinds of Pastel "brushes" at varying opacities, and also experimented a bit with paper textures. My habit these days is to write during the day, do some drawing in the evening or at the end of the work day.
Went out early this morning to take the bungee cords off our Green Bin and garbage can for 7:30 am collection. Jeff and I have made a deal in which he takes out the trash the night before, and I take the cords off in the morning. The cords are to keep the raccoons out of the trash during the night.
It was -8.3 degrees Celsius, according to our thermometer. Wrapped in my down-filled Tom Jeffers coat and handmade Beckett scarf, however, I felt pretty cozy...and I only needed one layer instead of my usual two. I guess I haven't yet become jaded about our new house -- I don't mind going out early in the morning at all. In fact, I still get a huge kick out of standing outside in the dark street and marvelling at how QUIET it is, compared to our old neighbourhood.
Beckett has Winnipeg trip pics up in her Flickr account, if you're interested. I especially like this one she took of me and Dave. You can also read her trip report on LJ.
And here's a picture that Tom took of Dave and me when we were working on a song together (our first songwriting collaboration!):

I'm holding my music Moleskine, a gift from Jeff a while back. The pages are all filled with standard 5-line staffs, and I now have a handful of songs scribbled down, some complete but quite a few fragments.
Songwriting with Dave is fun. Not surprisingly, he has a great ear, and had several chord substitution suggestions for the ones I had in my first draft of the song. We did some brainstorming in e-mail before the weekend, and then went through the song a bit at a time, dissecting and improving. We're hoping to have this ready to perform in open filk at GAfilk!
Songwriting with another person takes a great deal of trust, and you both have to be equally excited about the project as well as being willing to put in the time/effort. You have to be willing to relinquish some control...that's where the trust comes in. And you have to be willing to modify your own songwriting habits; I find it's well worth it because I always learn something from the other songwriter in the process. It's one reason I've been purposely seeking out different songwriters to collaborate with these days; I like the challenge, and I also find it can be wonderfully inspiring, creatively. The main limitation is time, which is why I generally work on one collab at a time.
A few examples: When I co-wrote Sex and Chocolate with Jodi, I wrote the words but asked Jodi to come up with the music; I was curious about what would happen. Believe it or not, I had a sort of waltz idea in my head when I first envisioned how the song would turn out. Jodi came up with an a capella jazzy/bluesy (and definitely NON-waltz) tune that I LOVED.
In Another Story, I wrote the words and music for the verses and counterpoint section. It originally started out as a children's song, but then (as often happens with me for some reason) started to get a bit too dark. I got stuck at the chorus, and asked Allison for help. She came up with words and music that fit PERFECTLY; I was so happy with how it turned out.
I've also co-written with Andrea Dale in her song, Saxophone in Spring...she brought the words to me, I added music and fiddled with the words a bit, then she did the final editing of words and music. I ended up adding harmonies to this song on Andrea's Zen Cappucino CD as well as playing flute --- my first time singing on any recording. We did the collaboration by e-mail and snailmail, sending lyrics and tapes back and forth.
Steve Macdonald and I have started collaborating on a song as well; he's written the music, and I'll be working on the words. On the other hand, Rand Bellavia and I tried songwriting at least half a dozen times but all our attempts fizzled out pretty quickly for one reason or another; I guess some musical partnerships are just not meant to be, no matter how much the would-be co-writers like each other's music. :-)
Hm...maybe I should turn this into an entry for the Filking.net FILK FAQ. To you songwriters out there who have collaborated with other people: Any advice to share from your own experiences? Do's and don'ts? What has worked for you and what hasn't? Please post in Livejournal if possible; I've enabled anonymous posting (those posts will be screened before appearing).

Dec/2005 comments: Read Blatherchat | Post in Blatherchat | Livejournal comments |
